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Mary Shelley's 'Frankenstein' / Was She Playing God in the Creation of Frankenstein's Monster?
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This 6 page paper provides an analysis of Mary Shelley's Frankenstein, with a concentration on the argument that Mary Shelley was attempting to play God in the creation of the monster. This paper is an argumentative essay that supports this perspective utilizing passages from the text as well as elements in the history of Shelley's life. Bibliography lists 4 sources.
Filename: Shelgod.wps

Mary Shelley's 'Frankenstein' vs. Stevenson's 'Dr. Jekyll & Mr. Hyde'
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A 7 page comparatison between Mary Shelley's Frankenstein and Robert L. Stevenson's Dr. Jekyll and Mr. Hyde. The writer posits that the authors used split personalities and other circular dualities to express the same opinion about roles in Victorian society, but come to separate conclusions as to the treatment of their 'monsters.' Bibliography lists 8 sources.
Filename: Frnkjkyl.wps

Mary Shelley's 'Frankenstein' vs. Stevenson's 'Dr. Jekyll & Mr. Hyde' # 2
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This 8 page paper compares and contrasts the novels, Frankenstein (1818), by Mary Shelley and The Strange Case of Dr. Jekyll and Mr. Hyde (1886) by Robert Louis Stevenson. Specifically discussed is the dual nature of man explored in both books. Bibliography lists 2 sources.
Filename: Franhyde.wps

Mary Shelley's 'Frankenstein'/ Romanticism & The Gothic
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A 5 page analysis of Mary Shelley's novel in terms of these two dominant literary movements of the nineteenth century. The paper asserts that Frankenstein dovetails the typical Gothic theme of the living dead with that of science gone amuck to produce a story that vilifies technology instead of the individual -- just as Romanticism sets out to do. Bibliography lists 5 sources.
Filename: Romfrank.wps

Mary Shelley's 'Frankenstein'/ The Character Of Elizabeth Lavenza
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This 3 page paper examines the significance of Elizabeth Lavenza in Mary Shelley's 1818 novel, Frankenstein, and what her character represents to the narrative. Bibliography lists 1 source.
Filename: Lavenza.wps

Mary Shelley's 'Frankenstein': Feminism And Patriarchy
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18 pages in length. Mary Shelley's Frankenstein is a celebration of gender, with particular emphasis upon issues of feminism and patriarchal control. Indeed, Shelley portrays the early birth of feminism; not only are her writings a solid reflection of her sentiments but so is the manner in which she reflects the female reawakening. Shelley displays her craft well and does not hesitate to apply her talent as more of a social statement than one of mere entertainment. The writer discusses the author's primary argument: that the female gender -- no matter how seemingly fragile and delicate -- was indeed just as much an emotionally strong and self-reliant individual as her socially-accepted male counterpart. Bibliography lists 7 sources.
Filename: TLCfrnk.doc

Mary Shelley’s Gothic Novel, 'Frankenstein'
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A 10 page paper which examines the Gothicism of Mary Wollstonecraft Shelley’s masterpiece, Frankenstein (1818), by first defining Gothic, then providing specific examples from the novel. Bibliography lists 6 sources.
Filename: TGgothic.rtf

Significance Of Thresholds In The Work Of Bronte And Shelley :
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The idea behind a threshold is threefold it separates the space between what lies on one side of the door and the other, it stops the door from swinging between those same spaces and it forms the base for the frame of the door. The analogy of a door is a popular one for understanding life, whether fictional representations of life or real life. Doors open into new spaces, experiences and knowledge. This 7 page paper examines the stories of Jane Erye, by Charlotte Bronte, Wuthering Heights, by Emily Bronte, and Frankenstein, written by Mary Shelley, and argues that there is at least one incident where a character 'stands at the threshold' of a decision that will change their life. No additional sources are listed.
Filename: KTthshhd.wps

The Psychological Aspects of Victor Frankenstein
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5 pages. Discusses the psychology of the man behind the monster. Ever since the birth of Shelley’s book in Geneva in 1816 the world has been drawn to this tale of the creating of life in a scientific laboratory. Based on Mary Shelley’s Frankenstein. Bibliography lists 2 sources.
Filename: JGAfrank.doc

The Quest in Works by D.H. Lawrence and Mary Shelley
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A 5 page analysis of The Virgin and the Gipsy by D. H. Lawrence and Frankenstein by Mary Shelley. The writer argues that it is novels that form the 'myths' of our age and that each of these works reflect the characteristic 'quest' that is an inherent part of any mythology. No additional sources cited.
Filename: 99quest.wps

Ghosts of the Earth in the Poetry of Seamus Heaney
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A fifteen page paper looking at this Irish poet's views of the thin veil between life and death, as depicted in his works. The paper asserts that Heaney views the dead and the living, the past and the present, as occupying the same space. Bibliography lists fifteen sources, including seven poems of Heaney's.
Filename: KBheany1.doc

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