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Papers On Literature
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Flannery O'Connor /Theme And Symbolism
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5 pages in length. 'I suspect that most of you have been telling stories all your lives ' is the assumption Flannery O'Connor makes in her lecture entitled Writing Short Stories. For it is difficult for O'Connor to fathom that people perceive writing fiction as a chore, when it is something she achieves as though it were of no effort whatsoever. Her main points to writing good fiction involve the use of symbolism and theme, which the writer compares and contrasts between two of O'Connor's works: Good Country People and Everything that Rises Must Converge. Bibliography lists 3 sources.
Filename: Flannery3.wps

Flannery O'Connor's 'A Good Man is Hard to Find / Symbolism of The Trees
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In 5 pages the author discusses why the tress symbolize the fate of the family in 'A Good Man is Hard to Find' by Flannery O'Connor. Trees are very symbolic. They have many meanings depending on how one looks at them and what connotation is given them. Trees are symbols of both good and evil, and of life and death. No other sources cited.
Filename: PCfogmts.doc

Flannery O'Connor's 'A Good Man Is Hard To Find'
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A 4 page paper discussing the contrasts between the Old South and the New South in Flannery O'Connor's short story, A Good Man is Hard to Find. Bibliography lists 1 source.
Filename: Goodman.wps

Flannery O'Connor's 'A Good Man is Hard To Find' / Foreshadowing & Theme
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A 14 page paper showing how foreshadowing both increases suspense as the story unfolds and underscores the story's theme, makes its ending seem completely inevitable. Bibliography lists 7 sources.
Filename: Goodman.doc

Flannery O'Connor's 'Good Country People'
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A 5 page critical essay which examines Flannery O'Connor's 1955 short story, 'Good Country People' and how it reflects the techniques and themes of the modern literary period. Specifically considered are how the story deals with the major subjects of nature, religion, individualism vs. social responsibility, love, realism and the grotesque aspects of human nature. Bibliography lists 4 sources.
Filename: Goodpeop.rtf

Flannery O'Connor's 'Good Country People'/ Anti-Humanism
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A 4 page paper examining Flannery O'Connor's 'Good Country People' from a theological standpoint. The paper asserts that to attempt to analyze O'Connor's fiction from a humanistic standpoint is to miss its entire point - that the pivotal moments in our lives occur with an experience of a breakthrough to Christian consciousness. Bibliography lists 3 sources.
Filename: Goodcoun.rtf

Flannery O'Connor's 'Greenleaf' / Violent Workings of Grace
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A 5 page paper showing how O'Connor develops her themes of grace and redemption through the ornery character of Mrs. May in this short story. Bibliography lists 5 sources.
Filename: Violwork.doc

Flannery O'Connor's 'Greenleaf'/ The May Farm
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A 5 page paper that considers what will happen to the May family's farm after the death of Mrs. May in Flannery O'Connor's Greenleaf. This paper reflects upon the role that family order plays in designing lifestyle and the problematic elements in interpersonal relationships. Bibliography lists no additional sources.
Filename: Greenlea.wps

Flannery O'Connor's 'Revelation' / Active Voice
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This 3 page essay discusses a specific passage from Flannery O'Connor's Revelation (pp. 414) that illustrates active voice and uses language to convey meaning and mood. No additional sources cited.
Filename: Actvoice.wps

Flannery O'Connor's 'Revelation' / Analysis
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A 5 page paper discussing O'Connor's last short story. Written under the influence of O'Connor's knowledge of the progress of her terminal disease, 'Revelation' deals even more with condemnation and redemption than her other works, even they also are known for the same underlying messages. A vision of the entrance into Heaven of the throngs of believers underlines the real, rather than perceived, shortcomings of the self-righteous and unforgiving main character. No additional sources cited.
Filename: Revelati.wps

Flannery O'Connor's 'Revelation' / Union Of Opposites
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A 7 page paper discussing O'Connor's use of simultaneous but conflicting states of being in her short story, and in her work as a whole. The paper breaks down some of the difficult theological concepts in 'Revelation,'and shows how it works on two levels at the same time. Bibliography lists 6 sources.
Filename: Revel.wps


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