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Papers On Literature
Page 383 of 940
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Culture and Materialism as Symbolized in Howard's End
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A 7 page paper that examines the concepts of culture versus materialism and practicality versus intellectualism as presented by the Schlegel and Wilcox families in E.M. Forster's 1910 novel Howard's End. Also included are discussions of the symbolism incorporated into each family characterization as well as into the physical estate of Howards End. Bibliography lists 8 sources.
Filename: LCHoward.doc
Culture in Faulkner and Hawthorne
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A 3 page paper which examines the element of culture/setting in William Faulkner’s “A Rose for Emily” and Nathaniel Hawthorne’s “Young Goodman Brown.” No additional sources cited.
Filename: RAfaha.rtf
Culture Wars: Forster's A Passage To India
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This 11 page paper examines
the cultural variables in A Passage To India by E. M. Forster. No
additional sources are listed.
Filename: KTpasind.wps
Culture: Tan, Chekhov, and O’Connor
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A 4 page paper which examines culture in “A Pair of Tickets” by Amy Tan, “The Lady with the Dog” by Anton Chekhov, and “Everything that Rises Must Converge” by Flannery O’Connor. Bibliography lists 3 sources.
Filename: RAtnti.rtf
Cultures in “Things Fall Apart” and “Heart of Darkness”
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A 4 page paper which
compares the cultures in Chinua Achebe’s “Things Fall Apart” and Joseph Conrad’s
“Heart of Darkness.” No additional sources cited.
Filename: RAfallcn.rtf
Cunningham's The Hours & Feminism
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A 6 page research paper that examines Michael Cunningham's Pulitzer Prize-winning novel The Hours, which focuses on the stories of three women who each face enormous struggles against sexism and societal preconceptions of gender. In so doing, his novel is rather like a thumbnail sketch of the history of feminism in the twentieth century. Therefore, by first examining the scenarios in The Hours, one gets an overview that facilitates an examination of how women in today's society are facing similar struggles. Bibliography lists 6 sources.
Filename: khhours.rtf
Cyberfiction/Johnny Mnemonic by William Gibson
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A 5 page research paper that examines cyberfiction via the example provided by William Gibson's "Johnny Mnemonic." The writer argues that an examination of this narrative demonstrates that cyberfiction writers, such as Gibson, are very aware of social issues and the implications of the rapidly increasing complexity of technology. Bibliography lists 3 sources.
Filename: khcyber.rtf
Cyberfiction/Johnny Mnemonic by William Gibson
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A 5 page research paper that examines cyberfiction via the example provided by William Gibson's "Johnny Mnemonic." The writer argues that an examination of this narrative demonstrates that cyberfiction writers, such as Gibson, are very aware of social issues and the implications of the rapidly increasing complexity of technology. Bibliography lists 3 sources.
Filename: khcyber1.rtf
Cyberpunk Lit: “Neuromancer”
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This 4 page paper discusses the science fiction/cyberpunk novel “Neuromancer.” Bibliography lists 3 sources.
Filename: HVcybneu.rtf
Cyborg Imagery
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A 5 page paper which discusses how cyborg imagery stands to
illustrate some very real approaches to resolving problems in society which arise due to
individualism. the book "He, She, and It," by Marge Piercy, "Simians, Cyborgs, and
Women: The Reinvention of Nature" by Donna Haraway, and the movie "Blade Runner"
are discussed in this context. No additional sources cited.
Filename: RAcyborg.wps
D. H. Lawrence's "The Rocking-Horse Winner" And Flannery O'Connor's "The Lame Shall Enter First": Money
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5 pages in length. Money's presence in D. H. Lawrence's "The Rocking-Horse Winner" and Flannery O'Connor's "The Lame Shall Enter First" illustrates how people become far too dependent upon its purported ability to ease life's problems. While both stories provide perfect examples of the way in which contemporary culture has turned into a money-dependent society, Lawrence's "The Rocking-Horse Winner" badgers the point home with such force that the reader suspects from the very start how significant a role money will play in the characters' ultimate conflict. Similarly, O'Connor's "The Lame Shall Enter First" captures the essence of depravation, as well, when Rufus refuses to accept the valuable telescope Sheppard gives him so that he might become "enlightened." No additional sources cited.
Filename: TLCmonee.rtf
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