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Frankenstein or Monster: Which is the Hero?
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A 5 page paper which examines the characters of Frankenstein and the monster, from Mary Shelley's "Frankenstein," and discusses which is truly the hero. The paper argues that the monster is the hero. Bibliography lists 1 additional source.
Filename: RAfrnkhr.rtf

Frankenstein's Monster and Marx
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A 3 page essay that contrasts the social position of Mary Shelley and Karl Marx. The writer argues that both writers looked at the rapidly evolving industrialization of Europe with a critical eye, Shelley through fiction and Marx through his political writing, such as the Communist Manifesto. This examination of Marx's political perspective on morality demonstrates parallel points of view with Shelley's conception of the oppression that shaped the formerly innocent being known as the Monster into a rampaging murderer. In both cases, behavior is related to the mechanisms of society and the manner in which the bourgeoisie was failing during this era to live up to its obligations in a moral manner. Bibliography lists 3 sources.
Filename: khshmarx.rtf

Frankenstein's Monster: Issues Surrounding His Existence
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5 pages in length. The writer discusses why Frankenstein created his monster and why he abandoned him, as well as the moral implication of possessing too much scientific knowledge. No additional sources cited.
Filename: TLCFrkMn.rtf

Frankenstein's Monster: Personality Metamorphosis
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5 pages in length. When one considers the primary importance of Mary Shelley's "Frankenstein," the first thing to typically come to mind is the notion of conflict and misunderstanding. In a completely separate light, however, Shelley's "Frankenstein" also mirrors a particular component of social address that deals directly with the concept of heroism and the means by which such heroic actions do not always lend themselves to positive outcome. Indeed, the monster can be considered a heroic figure in that his attempts at being a gentle soul often cause him great suffering; through his metamorphosis of character, the ultimately kind-hearted monster as a heroic figure meets his fate after a long and violent struggle with opposing social forces. No additional sources cited.
Filename: TLCmonst.doc

FRANKENSTEIN’S MONSTER: SOUL OR SOULESS
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This 3 page paper discusses the ability of Frankenstien's Monster to possess a soul. Examples given from the text. Bibliography lists 1 source.
Filename: MBfnknsoul.rtf

Frankenstein/ Levels of Fear
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A 5 page research paper/essay that investigates the levels of fear in Mary Shelley's classic novel. However, the writer argues that fear in the novel is distinctly different from the way the story is portrayed in film. By the time that Shelley portrays the monster committing violence, the reader has learned to sympathize with the travails of this miserable creature. The violence is horrifying, but mitigated by the sympathy that the reader feels for the rejected and socially ostracized creation of Victor Frankenstein. In the novel, unlike the films, levels of fear escalate in sympathy for the monster, rather then on fear or horror of the monster. Bibliography lists 4 sources.
Filename: khmofear.rtf

Frankenstein/Defending the Monster
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A 4 page essay that argues that Mary Shelley's portrayal of the Monster in her novel Frankenstein, indicts Dr. Victor Frankenstein rather than misbegotten creature that he brings into the world. In Shelley's novel, it is clear that the monster is an innocent, a "child" who has been deprived not only of his birth right, which is the love of his "parent," Dr. Frankenstein, but also of being able to have any place within human society and all because of his appearance, not because of his character. An examination of Shelley's text makes it clear that it is human society and, specifically Dr. Frankenstein, who is at fault and not the poor monster who did not ask to be created. Bibliography lists 5 sources.
Filename: khdefmon.rtf

Frankenstein/Romantic & Neoclassical
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A 3 pages essay that argues that Mary Shelley pursued both Romantic and Neoclassical themes in her masterpiece Frankenstein. The writer argues that while valuing the Romantic values of imagination and creativity, Shelley also offers a cautionary tale that warns the reader that such elements should also be tempered by reason. No additional sources cited.
Filename: khfrrone.rtf

Frankenstein/Symbolic of Women's Fate
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An 8 page essay that discusses the Monster as a symbol of the fate of women in Victorian society. The writer argues that the way in which Shelley presents Victor Frankenstein's experimentation suggests a sexual ethos and a desire to establish dominance over nature in much the same way that male identity was predicated on maintaining dominance over women. Secondly, the creature's subjugated position in society and the manner in which he has to teach himself mirrors the way in which women had to struggle to obtain any sort of education, as the society of that period disparaged the ability of women to learn beyond a certain level. No additional sources cited.
Filename: khmonsym.rtf

Frankenstein: A Story Still Valid Today
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A 10 page paper which discusses how Mary Shelley's Frankenstein is still a valid story today. The paper discusses the subject of parenting and abandonment, and of how people often do not take responsibility for their own actions. These are issues that clearly involve mankind, no matter the time period, and as such are valid conditions that make Shelley's Frankenstein a work still relevant today. Bibliography lists 4 additional sources.
Filename: RAfrnktdy.wps

Frankenstein: Feminine and Human Nature
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A 6 page paper which discusses various aspects of Mary Shelley's 'Frankenstein' as they involve feminine nature. Bibliography lists 2 additional sources.
Filename: RAfrankfem.rtf

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