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Iago and Krogstad: “Othello” and “A Doll’s House”
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A 3 page paper which examines the characters of Iago in Shakespeare’s “Othello” and Henrik Ibsen’s Krogstad in “A Doll’s House.” The paper examines their motivations and their responsibility for the demise of the relationships due to the involvement of both men. No additional sources cited.
Filename: RAiagoib.rtf

Iain Crichton Smith; Modern Poetry and the Portrayal of Emotion
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This 6 page paper looks at the works and comments of Scottish poet Iain Crichton Smith. He had often criticised peers as lacking feeling in their writing, yet it is a criticism which can also be levelled at some of his work. Conversely, he also has may works which convey a string sense of emotion and feeling in both traditional and controversial ways. Quotations for his works and life are used to illustrate this discussion. The bibliography cites 5 sources.
Filename: TEcrismi.wps

Ian McEwen: Black Dogs (1992)
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(5 pp). Ian McEwen's works thrives on co-incidence, opposites, and symbolism. Many people live their lives engrained with these narrative components, and think little of it. McEwen builds stories around them. In this discussion we will examine McEwen's 1992 novel, Black Dogs for those elements. Bibliography lists 4 sources.
Filename: BBblkdgs.doc

Ibsen & Gilman/Women's Place in Society
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A 7 page essay that contrasts and compares the narratives of Henrik Ibsen's play A Doll's House and Charlotte Perkins Gilman's "The Yellow Wallpaper." The writer argues that these works portray the subjugated position of women under nineteenth century patriarchy, and that a close reading of these works reveals not only that the female protagonist in each work feels compelled to rebel against the social restrictions that circumscribe their lives, but that the patriarchal framework of society serves, in general, to keep husbands and wives alienated from one another, preventing the true intimacy that is the bedrock of a successful marriage. No additional sources cited.
Filename: khibsgil.rtf

Ibsen and Glaspell
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A 3 page paper which compares and contrasts Henrik Ibsen’s “A Doll’s House” and Susan Glaspell’s “Trifles.” No additional sources cited.
Filename: RAtrdoll.rtf

Ibsen's "A Doll's House" - Masculinity And Marriage
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12 pages in length. Gender construct, built around the patriarchal perspective, has long been a principle focus of theater and cinema. The extent to which the issues of masculinity and femininity are regularly used as central themes is both grand and far-reaching; that such depictions have become fundamentally stereotypical in nature speaks to the dilemma of truly being able to define masculinity within a social context. Ibsen's A Doll's House is one of many theatrical illustrations of this observable fact in the way it pits the dominating husband against the submissive wife and spotlights the misery she experiences from being an emotional prisoner in her own marriage. While these social constructs have changed to a great degree since Ibsen penned his play, there is still enough residual support of this patriarchal ideology to warrant it ongoing in the twenty-first century institution of marriage. Bibliography lists 3 sources.
Filename: TLCdollhsmasc.rtf

Ibsen's "A Doll's House": Suitable Title?
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5 pages in length. The irony of Henrik Ibsen's A Doll's House – and thereby justifying the suitability of titling his play the same – is discovered early on in the story by way of the author's shrewd use of language, as one realizes the inner conflict that resides within the main character. Nora is never quite able to find her real purpose in life, despite the fact that she spends her entire existence attempting to do so. Both "unmade [and] incomplete" (Steele 01E), Nora discovers that "everything is a lie, the whole society is a lie. She must go out and find the truth" (Steele 01E) both about herself and those around her in order to gain the courage she does not possess being locked away in her safe, secure yet stifling "doll house" of a life. Bibliography lists 4 sources
Filename: TLCdolhs.rtf

Ibsen's A Doll's House
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The duality of life often takes unexpected turns in literature. The juxtaposition of good and evil, honest and dishonest and the real and the imaginary become the foundation for the building of a character, plot and the tension that brings an audience into the work. This 7 page paper argues that in A Doll's House, by Henrik Ibsen, there are elements of all of these dualities in which the audience becomes enmeshed and the characters defined. Bibliography lists 6 sources.
Filename: KTibdoll.wps

Ibsen's Nora and Sophocles' Antigone
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This 7 page report discusses the idea that there are definite similarities between the primary female characters -- Nora and Antigone -- in "The Doll's House" and "Antigone." Bibliography lists only the two primary sources.
Filename: BWannora.rtf

Ibsen's The Dolls House; A Representation of the Dualistic Nature of Society
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This 5 page paper considers the way in which this well known play demonstrates the dualistic nature of society at both an individual level as well as on the wider scale. The roles of Nora, Torvald and even Krogstad emphasise that they live simultaneously in different worlds of their own making, it is the extent to which they dominate that is the influence in their lives, not whether or not they exist. The bibliography sites 1 source.
Filename: TEdolhoe.wps

Ibsen’s Ghosts and Freudian Psychology
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A 3 page paper which examines the parallels that exist between Henrik Ibsen’s “Ghosts” and Freudian concepts. Bibliography lists 3 sources.
Filename: RAibfrd.rtf

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