Essays! ALL of the following essays are available for same day delivery via your choice of e-mail or fax! Only $/pg + FREE bibliography!
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John Ford's (17th Century) 'Tis A Pity She's A Whore' / Giovanni's Madness
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A 7 page paper on the mental dissolution of Giovanni in John Ford's ‘Tis Pity She's A Whore. It shows that the withdrawal of all legitimate religious and ethical support from Giovanni's corner leaves him without a moral compass to follow, and this removes even the most basic moral bulwarks from him. No additional sources cited.
Filename: Madnessg.wps

John Fowles' "The French Lieutenant's Woman": Alienation
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5 pages in length. Alienation can accurately be described as an inclination of temperament or outlook. Another way to describe it would be to call it a highly personal and unreasoned distortion of judgment. More often than not, alienation is defined as a negative outlook. In the case of John Fowles' "The French Lieutenant's Woman," alienation is what the author's protagonist -- Sarah – comes to loathe. While she is an upstanding and compassionate woman, she is unfairly thrust into the lair of societal judgment when she is falsely accused of being a whore. The writer discuss how this erroneous conclusion not only causes her unmerited emotional distress but it also casts an even larger shadow of doubt as to whether or not her French sailor will ever return for her. No additional sources cited.
Filename: TLCfowls.doc

John Galsworthy's "The Japanese Quince"
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4 pages in length. The writer discusses overall story adaptation as it relates to John Galsworthy's The Japanese Quince. No additional sources cited.
Filename: JapQuinc.wps

John Grisham's "The Client" and Mario Puzo's "The Godfather Part I"
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10 pages in length. The lure of the good life, as enhanced by drugs, prostitution and easy money, is a prominent Italian Mafia theme between John Grisham's The Client and Mario Puzo's The Godfather Part I. In the typical one-for-all, all-for-none mentality of a world gone bad, both of these literary projects casts a visual image of the Italian Mafia that fosters all the illustrious wrongdoing made possible by a group of streetwise gangsters. There is virtually no prejudice left untapped, no symbolism left untouched and no stereotype left unadulterated when the Italian Mafia is represented The Godfather Part I and The Client. All that one can expect from such a collection of malcontents is just what one receives: the quest for fortune though illegal avenues. The Godfather Part I was a particularly intriguing story by the way it illustrated a complete lack of conscience: Killing, maiming, thieving and lying were touted as being the manner by which to lead one's life in the Italian Mafia, because that is what will get one the finer things in life. Indeed, it became clear early on in Puzo's saga that part and parcel to the Italian Mafia's composition is constantly being on the make, going through the proverbial back door in their obsessive pursuit of the American Dream. No additional sources cited.
Filename: TLCgdfth.doc

John Grisham’s Bleachers
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A 3 page analysis of John Grisham’s novel Bleachers. Bibliography lists 1 additional source.
Filename: RAbleach.rtf

John Grisham/The Rainmaker
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Good vs. Evil : A 3 page essay that analyzes Grisham's novel The Rainmaker. The writer argues that in presenting this narrative, Grisham provides the perfect tableaux for examining the theme of good versus evil, as developed through the circumstances affecting his protagonist Rudy Baylor. Bibliography lists 4 sources.
Filename: khgrisge.rtf

John Kennedy Toole's "A Confederacy Of Dunces" / Its Relevance Today
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10 pages in length. To presume that Ignatius J. Reilly was merely a figment of John Kennedy Toole's literary imagination is to say that this personified manifestation of humanity does not live around every corner of every town. Indeed, the Ignatius J. Reilly's of the world are alive and well and infiltrating every segment of society, so much so in fact that reading Toole's A Confederacy of Dunces can be likened to a reflection upon contemporary civilization. The writer discusses how Reilly represents all the sourpuss negativity that permeates within and among this planet's inhabitants. Bibliography lists 5 sources.
Filename: Dunces.wps

John Le Carre: Spy And Ex-Spy
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Everyone seems to have their opinion as to what genre makes for the best reading, however, there are certain elements that almost every reader will agree are necessary for 'good literature'. These include character development, theme, irony (or satire) and descriptive devices. This 6 page paper explains why John Le Carre's spy novels, specifically The Spy Who Came In From The Cold and Our Game, are excellent examples of what it takes to be 'good literature' within the adventure/suspense and 'spy' genre. Annotated bibliography lists 6 sources.
Filename: KTlecare.wps

John McGahern’s Literature: Ecocriticism
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An 8 page paper which examines the literature of John McGahern from an ecocrticial position. The paper examines the relationship between McGahern’s fiction and the physical environment and the relationship between the protagonists and the landscape. Bibliography lists 4 sources.
Filename: RAecomc2.rtf

John McPhee/Writing Style
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A 3 page essay that examines the writing style of John McPhee in his books Oranges and The Pine Barrens. In these texts, McPhee picks one topic that is as common as grass and one that is so esoteric that most people --outside of New Jersey--have never heard of it. He reports on both in a friendly, conversational style that seems to say to his readers, "This is really interesting" and, largely due to his writing style, readers agree with this assessment. No additional sources cited.
Filename: khjmcp.rtf

John Milton's "Samson Agonistes"
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A 5 page explanation specifying that John Milton's "Samson Agonistes" falls into the literary genre of classic tragedy. Contends that the classification of "tragedy", however, is not to be confused with the more common contemporary usage of employing it to describe any type of catastrophe or form of bad luck. Instead, this literary genre provides a dramatic yet serious and dignified depiction of sorrow and misfortune which are either encountered by or caused by a heroic individual. In the case of "Samson Agonistes" this heroic individual is Samson himself. Samson, however, can be contended to be both a hero and a failure. His failure lies not in his lost battle but in his refusal to acknowledge his own role in that loss, his refusal to acknowledge that obliged the call of his libido over that of his God. This is the nature of tragedy as a literary genre. Bibliography lists 6 sources.
Filename: PPsamson.wps

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