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Papers On Literature
Page 745 of 940
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Small Fires: Developed Perceptions with Readings
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A 5 page paper which examines the short story Small Fires by Helene Littmann. The paper examines the story from perspectives that are developed through multiple readings of the story. No additional sources cited.
Filename: RAsm4.rtf
Smooth Talking & Oates's Short Story
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A 4 page essay. The writing of Joyce Carol Oates frequently addresses the predicament of being female within a patriarchal culture (Wesley 75). In her short story, "Where Are You Going, Where Have You Been?" Oates again addresses this subject in a way that focuses on the cruel initiation into the sexual realities of male domination for the story's fifteen-year-old heroine, Connie. The film Smooth Talk (directed by Joyce Chopra, 1985) dramatizes this work. In many ways, the film remains faithful to the critically acclaimed short story, however, the director chose to alter the ending and some critics found this inappropriate. However, examination of this feature of the film shows that it fits with Oates' intentions in her storytelling and is, therefore, an appropriate ending to a superb film adaptation. Bibliography lists 10 sources.
Filename: khsmtwh.rtf
Snipers : From Fiction To Reality
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An 8 page paper that begins with a short overview of Capital Crimes by Stuart Woods. The story focuses on a serial sniper targeting conservative personalities and politicians. Real life serial bombers, serial killers and serial snipers are related to the theme, which proposes that these killers are all mentally unbalanced. The paper compares Wood's sniper to these real criminals. Bibliography lists 8 sources.
Filename: PGsnip.rtf
So It Goes: Vonnegut and Death
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A 4 page paper which examines the relationship between Kurt Vonnegut’s Slaughterhouse-Five and the song So It Goes by Unearth concerning death. Bibliography lists 4 sources.
Filename: RAs5.rtf
Social Class and Race in Ellen Douglas' "A Lifetime Burning," Ellen Glasgow's "The Romantic Comedians," and Lee Smith's "Fair and Tender Ladies"
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A 6 page consideration on three Southern novels' portrayals of social class and race, and how each author relates to the subject matter. Bibliography lists 6 sources.
Filename: TGsoclas.wps
Social Class in "Canterbury Tales"
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A 5 page paper which examines some of the
common workers of "Canterbury Tales," illustrating their social position. The tales
focused on are the Miller's tale, the Merchant's tale, and the Shipman's tale, with emphasis
on the Shipman's tale. In focusing on these tales we present a picture of the social class to
which these individuals belonged. Bibliography lists 3 additional sources.
Filename: RAcntrby.rtf
Social Class in "Don Quixote"
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A 3 page paper which examines the position of social class in Miguel Cervantes' "Don Quixote." No additional sources cited.
Filename: RAdonsc.rtf
Social Class Represented in Kate Chopin’s “Desiree’s Baby”
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A 5 page paper which examines how social class is represented in the short story and also compares it with the portrayal of class in William Faulkner’s short story, “A Rose for Emily.” Bibliography lists 4 sources.
Filename: TGdesem.rtf
Social Class: Stevenson and Doyle
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A 3 page paper which asks how important social class was in “The Strange Case of Dr. Jekyll and Mr. Hyde” by Robert Louis Stevenson and “The Hound of the Baskervilles” by Sir Arthur Conan Doyle. Bibliography lists 2 sources.
Filename: RAhndhyd.rtf
Social Conservatism in Jane Austen
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An eight page paper looking at three
of Jane Austen's novels -- Pride and Prejudice, Emma, and Persuasion --
in terms of their insights about the value of social conservatism in the
early nineteenth century. The paper concludes that over the course of
these three novels, Austen makes a tentative movement away from a rigid
social conservatism toward the embrace of limited social change.
Bibliography lists six sources.
Filename: KBauste3.wps
Social Constraints on Women in Wharton's "House of Mirth" and Lawrence's "Sons and Lovers"
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A five page paper looking at the way the society of the late nineteenth and early twentieth century oppressed women, as depicted in these two novels by Edith Wharton and D.H. Lawrence, respectively. Both novels demonstrate what a waste it is for a woman to have no personal sense of self-worth and no personal goals outside of those attainable through men. Bibliography lists five sources.
Filename: KBmirth.wps
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