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Papers On Poetry
Page 119 of 130
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Thomas Hardy: Sadness
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A 4 page paper which examines how much of the work of the poet Thomas Hardy contains sadness but little melancholy. Bibliography lists 3 sources.
Filename: RAhr.rtf
Thomas Moore and His Influence on Romantic Era Poets
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An 11 page research paper that looks at two representative works of this lyric poet, Lalla Rookh and Irish Melodies, as evidence of how this contemporary of the greats of the Romantic Era-Byron, Keats, Shelley, etc.-while being a minor lyric poet, influenced particularly the technical aspects of their poetry. A world famous lyricist during his lifetime, Moore is best remembered for some of his songs, such as the ones in Irish Melodies, which are still sung today. Bibliography lists 7 sources.
Filename: Tomoore.doc
Those Winter Sundays
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A 4 page paper which argues for the existence of childhood ignorance as seen in Robert Hayden’s poem Those Winter Sundays. Bibliography lists 2 sources.
Filename: RAwnsun.rtf
Three Archetypes in Virgil’s Epic, “The Aeneid”
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A 5 page paper which discusses the literary archetypes of the trickster, the mentor and the hero presented in the story. No additional sources are used.
Filename: TGaeneid.rtf
Three Poets: Dickinson, Frost and Hughes
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This 3 page paper discusses the way three poets, Emily Dickinson, Robert Frost and Langston Hughes, use sound and motion to convey a sense of life and death in three of their poems, “Safe in Their Alabaster Chambers” (Dickinson): “Out, out…” (Frost) and “The Weary Blues” (Hughes). Bibliography lists 3 sources.
Filename: HVdifrhu.rtf
Time: T.S. Eliot and Terence Davies
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A 3 page paper which examines time as presented in T.S. Eliot’s poem “The Four Quartets” and the films of Terence Davies. Bibliography lists 2 sources.
Filename: RAtd1.rtf
Time: The Sound and the Fury and The Waste Land
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A 6 page paper which examines the element and role of time in William Faulkner’s The Sound and the Fury and T.S. Eliot’s The Waste Land. No additional sources cited.
Filename: RAwdsf.rtf
To His Coy Mistress and Porphyria’s Lover: the voices of the lovers
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A paper which compares and contrasts the voices of the lovers in these two poems, with particular reference to the use of persuasion and rationality, and the different audiences for which the rhetoric is intended. Bibliography lists 2 sources
Filename: JLmarvbrown.rtf
Torquato Tasso and His Most Famous Work, “Gerusalemme Liberata” (Jerusalem Delivered)
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A 10 page paper which examines the Italian poet and specifically considers how women are portrayed in his masterpiece, “Gerusalemme Liberata.” Bibliography lists 5 sources.
Filename: TGtasso.rtf
Torquato Tasso/"Jerusalem Delivered"
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A 4 page research paper that summarizes various points in Tasso's sixteenth century Christian epic poem "Gerusalemme Liberata" (Jerusalem Delivered). This epic dramatizes the successes of the First Crusade in wresting control of Jerusalem away from Muslim rule. Tasso's protagonist is Godfrey of Bouillon, who is depicted primarily as a general and a strategist. Additionally, Tasso allows himself poetic license and creates a fictional hero in Rinaldo, a mythical ancestor of the Este and a hero of almost superhuman force, similar to Homer's Achilles. Bibliography lists 2 sources.
Filename: khtortas.rtf
Tragedy of Dido
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A 3 page essay that examines Book Four of Virgil's epic poem of Rome's founding, the Aeneid, which relates the tragic love of Dido for the epic's hero Aeneas. This section of the poem pictures the course of Dido's love in five stages, which range from her realization that she loves Aeneas to her suicide, as his ships sail away. Throughout this narrative, Virgil pictures love as the equivalent to disease, an external force that subverts attention from what it truly important in life, that is, one's responsibilities. The implication in the poem is that Aeneas, being male, is better able to keep a proper focus than is the hapless, lovelorn Dido. No additional sources cited.
Filename: khdido2.rtf
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